color_collection_cw

A red made from naturally occurring iron oxide pigments, reddish-brown Brickyard red has a likable, well-worn quality...

Grown-up and glamorous, this aristocratic shade of deep red was created with red pigments available in the 18th century...

Inspired by paints made with the pigment vermillion, this deep red captures a sense of ceremony and tradition...

A shade with unmatched historical significance, this rich hue made with the pigment vermillion is as relevant today as it was in the 18th century...

Seen in 18th century wallpapers, including a fragment recovered from the Robert Carter House, this rich, romantic shade of deep red casts a radiant glow on its surroundings...

First discovered during paint investigations in the 1950s, subtle Palace tan captures the shade of an aged 18th century white paint commonly used throughout the Historic Area...

Made using iron oxide pigments in the 18th century, this classic red brick is dense and deeply concentrated, with a pronounced hint of wine...

This deep, inviting shade of plum traces its history to the 18th century, when it was once made using umber pigments...

A smoky, seductive shade, this darker neutral reflects the 18th century practice of mixing white and black pigments...

Beige with a bold, modern kick, this classic shade - a mix of white and yellow ochre pigments - would have been a popular interior color in the 18th century...

A buttery, warm shade of yellow, this rich hue is based on 18th century paint using white and yellow ochre pigments. It will add a visible glow to any space...

Suggesting the spirited nature of tavern life, this lively deep yellow hue is based on 18th century paints made with white and yellow ochre pigments...

Seen in both 18th century wallpapers and oil paints, this earthy, natural shade has a rich, golden hue...

Eighteenth century wallpaper and oil paint are the inspiration for this saturated yellow...

A brown-gold hybrid, this deep shade captures the mood of a bygone era. It is based on the late 18th century color found by researchers at the Robert Carter house in Colonial Williamsburg...

This smooth, radiant shade of yellow, based on 18th century paints made with white and yellow ochre pigments, captures the sophistication of the Governor's Palace in Williamsburg...

A rich, deep gray with a mossy green undertone, Tavern gray is based on the 18th century practice of mixing white and black pigments...

Echoing the richness of a pattern favored by Virginia's gentry, this vibrant shade is based on 1760s block-printed wallpaper with an Indian-inspired design of Palmate leaves and flowers found in the Thomas Everard House...

Wallpaper fragments dating to 1760 are the inspiration for this glamorously golden shade. Pair it with antique furnishings for a formal, flattering look...

Based on 18th century white paints tinged with a touch of yellow ochre pigment, this pale, lemony yellow is youthful and fresh...

A traditional tan, this versatile neutral is inspired by 18th century white paints tinted with yellow ochre pigment. Located in the Wythe house which served as the headquarters for George Washington just before the seige of Yorktown. It was one of the grandest and most impressive private dwellings i..

Inspired by the elegance and refinement of George Wythe, this rich shade of gold is based on 18th century paints made with yellow ochre pigment. It conveys integrity and virtue...

An opulent ochre, this warm, aristocratic shade has the decorative quality of heirloom furnishings and fixtures. It was inspired by yellow ochre's ability to take on a green hue...

This deep, graceful gold is based on paints made with a darker yellow ochre, imparting lots of warmth and density...

This poised and elegant hue owes its depth to the use of darker yellow ochre pigments in the 18th century...

Inspired by the simple grandeur of the Duke of Gloucester Street, this sublimely subtle shade is a mix of lamp black, verdigris, yellow ochre and white...

Lush yet low-key, beautifully balanced Burwell green traces its color history to a mix of the pigments lamp black, verdigris, yellow ochre and white...

This soft, versatile shade of pale gray echos the stone color suggested in 18th century British builders manuals...

This mossy, memorable green, a mix of lamp black, verdigris, yellow ochre and white pigments, is a balance between elegant and earthy...

Suggesting an eco-friendly attitude, this soft green takes its name from the naturally occuring pigment of the same name...

A light and breezy shade of spring green, this color captures the shade of a naturally occurring green pigment...

A vibrant hue as playful and fun as its name, Parrot green is seen in 18th century chinoiserie wallpaper in Colonial Williamsburg's collections...

Based on early 19th century paint evidence found on the Timson House located just outside the historic area...

A deep, rich green with a touch of brown, this shade was created using popular 18th century pigments such as Prussian blue, yellow ochre and lamp black...

This fresh, fashionable shade of green, a part of Colonial Williamsburg's revival color palette, feels modern and sophisticated...

A part of Colonial Williamsburg's revival color palette, this beguiling and contemporary shade of fresh green packs a stylish punch...

Sleek and stylish, this light, luminous shade of soft green has a sun-kissed quality. It is part of Colonial Williamsburg's revival color palette...

A spring green with a fashionable twist, this richer shade, a part of Colonial Williamsburg's revival color palette, has a more modern sensibility...

Inspired by the shade of lime putty used by the 18th century Williamsburg mason Humphrey Harwood, this almost weightless color mimicks whitewash...

The stone shade referenced in 18th century British paint and builders manuals is the color inspiration behind this softer mid-tone gray...

A deep green that suggests wisdom and maturity, this more masculine shade has velvety richness. It is part of Colonial Williamsburg's revival color palette...

This poised and elegant green was made using popular 18th century pigments such as Prussian blue, yellow ochre and lamp black...

Smokey and supple, this very deep shade of green captures the look of verdigris as it ages...

A mixture of the pigments verdigris and white, this restful, reassuring shade is anchored in the vibrant, dense beauty of the sea...

A mixture of Prussian blue, white and naturally occurring yellows, this rich, well-appointed green imbues rooms with style...

This pronounced, almost playful shade is based on the paint color found by researchers on a late 18th century house near Williamsburg...

Opulent Colonial verdigris takes its color cue from the patina of aged verdigris paint. A prominent shutter and door color after the Revolution, it is deep and decorative, suggesting Old World elegance...

Though anchored in the 18th century greens found by researchers, this deep, less conventional green makes a fresh, bold design statement...

This historic yet high-spirited green is based on the 1770s orders and account books of Lord Botetourt for green wallpaper at the Governor's Palace...

A trend-perfect teal with a modern vibe, this upbeat shade is actually based on the period pigments Prussian blue and yellow ochre...